The Antiquated Future of Rama

Arthur C. Clarke's 1973 novel Rendezvous with Rama is considered a key example of hard science fiction. However, as a realistic vision of the future, it is notably lacking. Set in the year 2130, read forty years after its publication, its future feels archaic. Clarke's future is one dominated by white Anglo-Saxon men, neo-Judeo-Christian undertones, and an uncanny sense that the future resembles the past more than the present.

The main character, Commander Bill Norton, spends most of his time out in space, but manages to have two families (and wives): one on Earth and one on Mars. While the notion of socially acceptable polygamy seems progressive, why a situation such as Norton's should exist seems perplexing. If anything, his wives should have other husbands to compensate for all the time that he is not there. The one sidedness of his family relationship which benefits him only, sends a subliminal message that social values will progress, with the caveat: so long as this progress benefits men only. To Clarke's defense, nothing is written to indicate that the opposite situation cannot also exist or is uncommon, but when given  a narrow window into a new world, the reader tends to extrapolate that window outwards unless hinted at otherwise by the author, and hint otherwise Clarke does not.*

*In fairness, I didn't read Rama, rather I listened to an audiobook of it. It's possible that the audiobook was abridged (I don't recall), and the unabridged text could include some additional detail that might paint Clarke in a more favourable light.

There is also the stuffy council that debates and ultimately decides to send the shuttle Endeavour to investigate Rama. While the members of the council are not described in great detail, there is a pervasive sense of a congressional hearing - old gray-haired white men make all the important decisions. To Clarke's defense, Rama is meant to be realistic, not idealistic, and depicting institutions as slow moving, resistant to change, and governed by the cast of The McLaughlin Group may certainly have seemed reasonable in the seventies, now it is evident that this will not be the case. By 2130 there will certainly be more influence from the rest of the world outside of USA and Russia, as today we see the relative influence of old powers waning in the face of emerging economies. While the stereotype of old men with all the power seems likely to fall further into the future, there are reasons why such change may be slow to happen: for one, new medical technologies will improve human health and extend lifetimes, those who are older will have all the advantages of experience, credibility and achievements with none of the usually associated downsides such as failing memory, mental capacity, or physical ability. One might expect in such a future that all top positions will be dominated by the elderly, while young people struggle for increasingly seldom employment opportunities and to make names for themselves. As for the lack of female representation, we can note that while initiatives to bring more women into the field of STEM jobs have increased in funding and outreach over the past several decades, these fields remain dominated by men, and continue to have a "boy's club" attitude long after such social attitudes should have been relegated to the way of the dinosaur.

Then there are the simps - chimpanzees that have been trained to assist with the daily tasks onboard the shuttle endeavour. Even at the time of the novel's writing, the idea of using chimpanzees in forced labor for scientific or military purposes would have been met with fierce protest.  In the time since, our reliance on animal labor has greatly diminished in the industrialized world, to the point that were such a thing as simps to be suggested in a potential human-led exploration mission by NASA, the authors would likely be laughed out of a career as scientists. In Clarke's future, technological progress with computers and machines has apparently seen a rocky road, as how chimpanzees could be considered a more cost effective or safer alternative to automation with only today's level of technology is difficult to imagine. More than any other aspect, the simps really date the novel - they make it feel like a product of the fifties rather than the seventies, and one gets a creeping sense of racist undertones. Of course the simps die, and while the crewmembers are upset by this, a simp isn't nearly as important as a person.

References:

Clarke, Arthur C. (1973) Rendezvous with Rama. London, UK: Victor Gollancz Ltd.