Architecture
Architecture is the material actualization of a preferred system. It articulates how we feel the world ought to be. That it expresses a preference is a necessary consequence of its form: an architected form is a space transformed, a space replaced.
Orientation around Covent Garden and the West End
A lot of the places I was tasked with documenting were locations that would be relevant to illustration (art supply shops, galleries). Being plopped in the middle of Covent Garden I didn't exactly hit the ground running. When I first arrive in a place I find I'm not really ready to start seeking things out and constructing a mental model, rather first I aim to get a feel for things, to listen and let the place speak to me and then gradually build up a set of associations. This approach came crashing against my time constraint and instead I found myself rushing from spot to spot, hurriedly jotting down the most immediate of impressions like some twisted impersonation of a tourist. In any event, here follows what I managed to scrape together.
Chords of Canada
Another coursework-motivated post. The task is to find three examples each of Design, Illustration, and Art from my country of origin - Canada. These should be interesting and relevant to me and to Canada. Being not particularly well tuned in to art - especially that which might be considered culturally relevant - nor being in touch necessarily with Canadian culture, I found the task a bit of a challenge. In any event, here follows my attempt.
Pick 10: Images of Interest
The following post is rather simply motivated. It is part of my required pre-course work - a school assignment. The goal is simply to pick 10 images that I find interesting and to explain my picks. What follow are simply what happens to interest me at the moment of this posting.
A Geometric Offering: GEB-EGB Trip-let
Having come to the end (finally!) of the voluminous tome
that is Gödel,
Escher, Bach: An Eternal Golden Braid by Douglas R. Hofstadter, I decided
to try my hand at reproducing the GEB-EGB trip-let that forms the cover image
(at least on the copy of the book that I was reading). This self-imposed
exercise came as a welcome change of pace from the mathematical-typographical
exercises that Hofstadter presents (punishes?) his readers with. Hofstadter
describes the cover image thus:
Cover: A "GEB" and an
"EGB" trip-let suspended in space, casting their symbolic shadows on
three planes that meet at the corner of a room. ("Trip-let" is the
name which I have given to blocks shaped in such a way that their shadows in
three orthogonal directions are three different letters. The trip-let idea came
to me in a flash one evening as I was trying to think how best to symbolize the
unity of Gödel,
Escher, and Bach by somehow fusing their names in a striking design. The two
trip-lets shown on the cover were designed and made by me, using mainly a band
saw, with an end mill for the holes; they are redwood, and are just under 4
inches on a side.)
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| GEB-EGB trip-let as depicted on the cover of my copy of Gödel, Escher, Bach |
Don't Ignore The Origin of the Species
If you haven't read Charles Darwin's seminal work then that
is really something you need to correct. Perhaps you think that you know all
about evolution and natural selection and see little value in going back to
such an old book that must surely be outdated by now. Or perhaps you feel
intimidated by the science of evolution, see it as encroaching too much on your
worldview or simply dealing with ideas beyond the prowess of your feeble
intellect. Both such positions are indefensible. Some 158 years on from its
initial publication, Darwin's Origin
remains essential reading for those who aspire to understand the world around
them. It is accessible to any educated person regardless of one's lack of
technical knowledge in biology, geology, taxonomy, etc. But you don't have to
see reading Origin as a chore,
something to be endured so that you can maintain your small modicum of
credibility among the intelligentsia. Rather, reading Origin should be seen as a delight, akin to watching a new season
of Planet Earth as narrated by David
Attenborough.
Game Pitch: Rectifier
"It can't be bargained with. It can't be reasoned with. It doesn't feel pity, or remorse, or fear. And it absolutely will not stop, ever, until you are dead."
The above quote from The Terminator is spoken by the character of Kyle Reese to Sarah
Connor. It has in a way become iconic, the perfect descriptor for the
terminator, the titular killing machine. In Rectifier,
this quote describes not your enemy, but you.
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